The artworks by Leah Decter, a white settler artist and scholar, offer an opportunity to reflect on repair and care of relationships to the land and to each other. With captivating textures and colours, she provides a lens through which we may see differently familiar national icons and everyday experiences of Canadiana.
Read MoreWhat do historical telephone directories tell us? More than just names and numbers. They preserve traces of people, everyday life, and communication – sometimes quietly, sometimes unexpectedly. In this pop-up exhibition, artists worked with historical Swiss telephone directories from the PTT Archives on behalf of Wikimedia CH (Galleries, Libraries, Archives and Museums, WMCH).
Read MorePhD candidate Carlos Llerenga Aguirre has been included in the Mapping Printmaking World Book project curated by Nuno Canelas, and the Douro Printmaking Biennial. Portugal
The “Mapping Printmaking” project is a work in progress on a digital book that compiles the work of hundreds of artists from around the world in the field of printmaking. All traditional engraving techniques are covered, such as Metal Engraving, Linocut, etc.
Read MoreThe theme of resilience at Weaving Water @ Yarun grounded an 11 day program exploring deep connection to place. Delivered in a year marked by disruption and recovery, Weaving Water focused on responding — to weather, to place, and to community needs as they emerged. What remained constant was a shared commitment to care for water, Country and each other through partnership, kinship and respect.
Read MoreJisun Myung wrote 'Chapter 7: Communion of a Bowl of Seaweed Soup with Familiar Strangers: from Mukbang to Live Performance in the Miyeokguk Project' of "Performing the Edible: Sustenance, Sensation, and Sustainability" edited by Kristin Hunt (Routledge, 2026). This article is about of her recent performance piece that explores Korean women diaspora's reproductive stories.
Read MoreOroborotic, by Gabriela Gusmão, inaugurates the Spira Corridor at Casa TAO Brasil as a sensory exploration of transformation between body, time, and painting, inspired by the symbol of the ouroboros. The exhibition activates painting as a living, evolving field where materiality and thought merge in continuous becoming.
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