Posts tagged publishing as an art practice
Rachel Epp Buller
Rachel Epp Buller

Dr. Rachel Epp Buller is a feminist art historian printmaker book artist professor and mother of three. She holds a PhD in art history and an MFA in creative practice. Much of her artistic, written, and curatorial work has addressed the maternal body and feminist care in contemporary art contexts. Her current writing and artistic research explores slow practices, such as walking and stitching, with a particular focus on letter-writing as an act of relational care and a radical intervention into practices of academic scholarship.

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ALL 1 (a-b), TT 1 (a-b)Guest Usercuratorial practices, expanded studio practices, experimental pedagogy, language and image, publishing as an art practice, sound, walking as an art practice, memory
Laura Gonzalez
Laura Gonzalez

Laura González is an artist, writer, yoga teacher and an Athenaeum Research Fellow at the Royal Conservatoire of Scotland. She is also faculty at Transart Institute. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she teaches art and psychoanalysis at various institutions in Europe and the US. She creates intimate durational performances for galleries and festivals, including Unfix, Buzzcut, Glasgow Open House and Market Gallery, and, in 2019, her work was shortlisted for the Adrian Howells Award for Intimate Performance.

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ALL 3 (f-h), TT 3 (e-n)--docufiction and creative writing, expanded studio practices, foreignness, otherness, language and image, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, publishing as an art practice, walking as an art practice, interdisciplinary practice, performance, writing, painting, photography, installation, video
Carl Haase
Carl Haase

Carl Haase received a Bachelor’s Degree in Fine Arts from the Maine College of Art, Maine, US in 2001. In 2005 he completed a four-year apprenticeship in a letterpress studio in the Maine, US. Shortly thereafter, he founded and operated a silkscreen studio which specialised in fine art printing in conjunction with freelance design projects. Currently he is continuing this body of research as a PhD candidate at the University of Antwerpen’s ARIA (BE) program.

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ALL 3 (f-h), TT 3 (e-n)Guest Userart and social technologies, expanded studio practices, language and image, media and design, memory, forgetting, trauma and the archive, publishing as an art practice, generative design
He Jin Jang
He Jin Jang

He Jin Jang is a multicity-based choreographer, researcher, dramaturg, curator and essayist, born and raised in Seoul, Korea. Jang has created, researched and written on the idea of & ‘choreography’; and & ‘living(surviving)’. Her choreographic works were presented at Seoul International Dance Festival (Korea), MODAFE International Dance Festival (Korea), Laboratorio Condensación (Mexico), National Museum of Contemporary Arts (Romania), WUK (Austria), American Dance Festival (US), New York Live Arts (US), The Kitchen (US), and Movement Research (US) among others. Jang’s projects were supported by Korea Arts Management Service Korea, The Saison Foundation Japan, Arts Council Korea Korea, and Seoul Foundation for the Arts and Culture. She was also invited as Knowing Dance More Artist (US, 17), Fresh Tracks Artist @ New York Live Arts (US, ‘14-15), Moving Dialogue Exchange Artist (Romania, ’11), DanceWeb Fellow (Austria, ‘11), and Artist-In-Residence @ Movement Research (US, ‘09-11).

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ALL 4 (I-L), Student (i-l), Student PhD 2022Guest Usermovement, dance, choreography, experimental pedagogies, home, nostalgia and the uncanny, liminal states, interstices, and spacetime, memory, forgetting, trauma and the archive, social choreography, neuroaesthetics, embodiment, resilience, expanded studio practices, publishing as an art practice
Paula Kramer
Paula Kramer

Paula Kramer is an artist-researcher and movement artist based in Berlin. She holds a practice-as-research PhD in Dance (Coventry University) and was a post-doctoral researcher at Uniarts Helsinki between 2016 and 2019. She is currently active as an independent artist-researcher and until the end of 2020 as a visiting researcher at the Centre for Artistic Research of Uniarts Helsinki.

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ALL 4 (I-L), TT 3 (e-n)Guest Userdocufiction and creative writing, ecology and environmental activism, expanded studio practices, experimental pedagogies, movement, dance, choreography, new materialism, object-oriented ontology, publishing as an art practice, space and temporary architecture, walking as an art practice, intersectionality/feminist art-life practice
Freek Lomme

Freek Lomme works as professional curator and editor in the field of art, design and social practice since 2003. He is founding director of public gallery and publisher Onomatopee as well as a freelance curator, lecturer, moderator and writer.

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TT 3 (e-n)Guest Userart and social technologies, curatorial practices, docufiction and creative writing, expanded studio practices, experimental pedagogies, home, nostalgia and the uncanny, language/image, media and design, memory, forge, trauma and the archive, peace, mediation and performative activism, post-colonialism, post-nationalism, publishing as an art practice, sound, music, field recordings, composing, space and temporary architecture
Tom Overton
Tom Overton

Tom Overton is a writer and and Archive Curator/Postdoctoral Fellow at the Barbican Centre, London. As part of an AHRC-Funded PhD between the British Library and the Centre for Life-writing Research, King's College London, he catalogued the archive of the writer and artist John Berger (1926-2017), and curated a conference, free school and exhibition at Somerset House, London, to mark the 40th Anniversary of Berger's collaborative TV series and book Ways of Seeing (1972) and Booker-winning novel G.

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ALL 5 (m-p), TT 4 (o-z)Guest Userpublishing as an art practice, post-nationalism, post-colonialism, memory, forgetting, trauma and the archive, language and image, home, nostalgia and the uncanny, docufiction and creative writing, foreignness, otherness, art and social technologies, curatorial practices
Kim Schoen
Kim Schoen

Kim Schoen (b. 1969, Princeton) lives and works in Los Angeles and Berlin. She received an MFA from CalArts in 2005, and a Master of Philosophy from the photography department at The Royal College of Art in London in 2008. Her work in photography and video installation has shown at numerous institutions and galleries worldwide including LACMA, MoCA, The Los Angeles Museum of Art (LAMOA), Richard Telles Fine Art, Young Projects, Moskowitz Bayse, LM Projects, and LAXART in Los Angeles; MMoCA (Madison Museum of Contemporary Art), BAM, Brooklyn, NY; The South London Gallery, Whitechapel Gallery, MOT International in London, Museum of Contemporary Art of Rome; Museo de Arte Moderno y Contemporaneo, Spain; Archive Kabinett, Kunstverein Springhornhof, Kleine Humboldt Galerie, and Edith Russ Haus für Medienkunst.

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ALL 7 (s-t), TT 4 (o-z)--docufiction and creative writing, language and image, media and design, publishing as an art practice, rhetoric, Video installation, photography
Jeff Thompson
Jeff Thompson

Jeff Thompson (b. 1982, Minneapolis/USA) is an artist, programmer, and educator based in the NYC area. Through code, sculpture, sound, and performance, Thompson's work physicalizes and gives materiality to otherwise invisible technological processes.

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TT 4 (o-z), ALL 7 (s-t)Guest Usercuratorial practices, expanded studio practices, liminal states, interstices, and spacetime, media and design, new materialism, object-oriented ontology, publishing as an art practice, robotics, sound, music, field recordings, composing, new media, digital art, creative programming, sound art, physical computing, electronics, data visualization, interactive media, net art, performance, book arts, sculpture