Posts tagged language and image
Jean Marie Casbarian
Jean Marie Casbarian

Jean Marie Casbarian (b. Aberdeen, MD) is an interdisciplinary artist who works across photography, video, sound, writing and performance. She holds an MFA from Milton Avery School of Art at Bard College, New York (2000) and a BFA from the University of Colorado at Denver (1987). Her artistic practice lies in her interests around the reinterpretation of memory, personal fictions, migratory space and the essence of time. Along with exhibiting her works throughout the United States, Europe, Central America and Asia, Casbarian has received a number of awards and artist residencies including the Lower Manhattan Cultural Council, Louis Comfort Tiffany Foundation nomination, The LaNapoule Foundation Grant in LaNapoule, France, the Chicago Artist's Assistance Project Grant, an Associateship with The Rocky Mountain Women's Institute and has been a Research Associate with Five Colleges, Inc (Amherst, MA).

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TT 2 (c-d), All 2 (c-e)--docufiction and creative writing, expanded studio practices, experimental pedagogies, foreignness, otherness, international diaspora and exiled states, language and image, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, photography, video, writing, sound and performance, interdisciplinary installation
Steve Dutton

Steve Dutton
Co-PhD Programme Leader
Admissions and Partnership Development

Steve Dutton is an artist, researcher and curator who works on both collaborative and individual projects. He is developing a new body work under the working title of “industry” which is including drawings, sound works, animations, objects and texts. His work is difficult to classify, as it moves between various media, materials, processes and forms.

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TT 2 (c-d), All 2 (c-e), StaffGuest Usercuratorial practices, expanded studio practices, language and image
Rachel Epp Buller
Rachel Epp Buller

Dr. Rachel Epp Buller is a feminist art historian printmaker book artist professor and mother of three. She holds a PhD in art history and an MFA in creative practice. Much of her artistic, written, and curatorial work has addressed the maternal body and feminist care in contemporary art contexts. Her current writing and artistic research explores slow practices, such as walking and stitching, with a particular focus on letter-writing as an act of relational care and a radical intervention into practices of academic scholarship.

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ALL 1 (a-b), TT 1 (a-b)Guest Usercuratorial practices, expanded studio practices, experimental pedagogy, language and image, publishing as an art practice, sound, walking as an art practice, memory
Anna Gibbs
Anna Gibbs

Professor Anna Gibbs teaches in the School of Humanities and Communication Arts at Western Sydney University. A member of the Writing and Society Research Centre and the Digital Humanities Research Group, she writes across the fields of textual, media and cultural studies focussing on feminism, fictocriticism and affect theory.

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ALL 3 (f-h), TT 3 (e-n)--docufiction, creative writing, experimental pedagogies, language and image, memory, forgetting, trauma and the archive, post-nationalism, post-colonialism, new genres in research writing
Laura Gonzalez
Laura Gonzalez

Laura González is an artist, writer, yoga teacher and an Athenaeum Research Fellow at the Royal Conservatoire of Scotland. She is also faculty at Transart Institute. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she teaches art and psychoanalysis at various institutions in Europe and the US. She creates intimate durational performances for galleries and festivals, including Unfix, Buzzcut, Glasgow Open House and Market Gallery, and, in 2019, her work was shortlisted for the Adrian Howells Award for Intimate Performance.

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ALL 3 (f-h), TT 3 (e-n)--docufiction and creative writing, expanded studio practices, foreignness, otherness, language and image, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, publishing as an art practice, walking as an art practice, interdisciplinary practice, performance, writing, painting, photography, installation, video
Carl Haase
Carl Haase

Carl Haase received a Bachelor’s Degree in Fine Arts from the Maine College of Art, Maine, US in 2001. In 2005 he completed a four-year apprenticeship in a letterpress studio in the Maine, US. Shortly thereafter, he founded and operated a silkscreen studio which specialised in fine art printing in conjunction with freelance design projects. Currently he is continuing this body of research as a PhD candidate at the University of Antwerpen’s ARIA (BE) program.

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ALL 3 (f-h), TT 3 (e-n)Guest Userart and social technologies, expanded studio practices, language and image, media and design, memory, forgetting, trauma and the archive, publishing as an art practice, generative design
Estelle Hoy
Estelle Hoy

Estelle Hoy is a writer and academic based in Berlin. She completed her Phd in Contemporary Feminist Experimental Literature (New Narrative). She's lectured at The Victorian College of the Arts, The University of Melbourne, Freie Universität Berlin, Goldsmiths, Bard College, Parsons Paris, The New School, Université Paris-Sorbonne and Institut d'Etudes Politiques (Sciences Po) Paris.

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ALL 3 (f-h), Guest (a-j)--curatorial practices, docufiction and creative writing, experimental pedagogies, language and image, feminist writing, socially engaged art, marginalised and vulnerable communities, refugee, asylum seeker, new prison release, homeless, mental illness, creative non-fiction, new narrative writing, critical theory
Catalina Insignares
Catalina Insignares

Catalina Insignares is a Colombian choreographer and dancer based in Paris. She studied dance in Canada and France, and completed a Master’s degree in Choreography and Performance at the University of Giessen, Germany. Her pieces question the systems of artistic production and their relationship to society. She seeks the moment when dance generates unintelligible, whatever-like subjectivities and collectives. She works always in collaboration and long term associations (Caroline Creutzburg, Miriam Schulte, Else Tunemyr, Zuzana Zabkova, Gretchen Blegen) for choreography, dramaturgy, teaching and performance.

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ALL 4 (I-L), Guest (a-j)Guest Usercuratorial practices, experimental pedagogies, expanded studio practices, home, nostalgia and the uncanny, foreigness, language and image
Andrew McNiven
Andrew McNiven

Andrew McNiven was born in Edinburgh in 1963 and studied Fine Art at Goldsmiths' College, graduating in 1987, a contemporary of many of the artists who rose to international prominence during the 1990s. He received his MA from Goldsmiths' in 1995. Since 1990 his work has been shown nationally and internationally by, amongst others: the Lisson Gallery, the Whitechapel Gallery, the Akademie der Kunst, Berlin, and the Neue Galerie, Dachau. Recent projects include ‘The First Night of Experimental Boredom’ at 222Lodge, Dordrecht (NL), ‘Visual Art by Verbal Means’ at Kunstal Rotterdam (NL); 'The Understanding Gaze': Perre Bourdieu/Andrew McNiven, White Box, Zeppelin University, Friedrichshafen, (DE). He completed an AHRC-funded, practce-led PhD at Northumbria University in 2011. Previously a lecturer at Edinburgh College of Art, he is currently Senior Lecturer in Visual Culture at Zeppelin Universität in Friedrichshafen, Germany.

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ALL 5 (m-p), TT 3 (e-n)Guest Usercuratorial practices, expanded studio practices, experimental pedagogies, language and image, memory, forgetting, trauma and the archive, sound, music, field recordings, composing, space and temporary architecture, attention and perception, the senses, moving image, audio, photography, installation, curatorial practice
Carolina Mendonça
Carolina Mendonça

Carolina Mendonça is interested in contamination of knowledge and in being vulnerable to different logics. Graduated in Performing Arts at ECA-USP and with Master’s in Choreography and Performance at Giessen University in Germany. Her latest projects are Pulp- History as a Warm Wet Place (2018) in Mousonturm that deals with an intuitive archeology digesting the leftovers of the XVII-XVIII centuries; useless land (2018) a night reading that invites de audience to sleep that happened in many different contexts such as MAerzmusik in Berlin, Ferme de Buisson in Paris, Beursschouwburg in Brussels and Sesta in Prague among others; We, the Undamaged others (2017) a work that puts in question happiness as an horizon that organizes our lives, premiered at Oswald de Andrade in São Paulo and showed in MIT-2018; Falling (2016) explores sleeping as a possible dance practice presented at Mousonturm.

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TT 3 (e-n)Guest Userart and social technologies, curatorial practices, expanded studio practices, experimental pedagogies, foreignness, otherness, home, nostalgia and the uncanny, language and image
Tom Overton
Tom Overton

Tom Overton is a writer and and Archive Curator/Postdoctoral Fellow at the Barbican Centre, London. As part of an AHRC-Funded PhD between the British Library and the Centre for Life-writing Research, King's College London, he catalogued the archive of the writer and artist John Berger (1926-2017), and curated a conference, free school and exhibition at Somerset House, London, to mark the 40th Anniversary of Berger's collaborative TV series and book Ways of Seeing (1972) and Booker-winning novel G.

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ALL 5 (m-p), TT 4 (o-z)Guest Userpublishing as an art practice, post-nationalism, post-colonialism, memory, forgetting, trauma and the archive, language and image, home, nostalgia and the uncanny, docufiction and creative writing, foreignness, otherness, art and social technologies, curatorial practices
Kim Schoen
Kim Schoen

Kim Schoen (b. 1969, Princeton) lives and works in Los Angeles and Berlin. She received an MFA from CalArts in 2005, and a Master of Philosophy from the photography department at The Royal College of Art in London in 2008. Her work in photography and video installation has shown at numerous institutions and galleries worldwide including LACMA, MoCA, The Los Angeles Museum of Art (LAMOA), Richard Telles Fine Art, Young Projects, Moskowitz Bayse, LM Projects, and LAXART in Los Angeles; MMoCA (Madison Museum of Contemporary Art), BAM, Brooklyn, NY; The South London Gallery, Whitechapel Gallery, MOT International in London, Museum of Contemporary Art of Rome; Museo de Arte Moderno y Contemporaneo, Spain; Archive Kabinett, Kunstverein Springhornhof, Kleine Humboldt Galerie, and Edith Russ Haus für Medienkunst.

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ALL 7 (s-t), TT 4 (o-z)--docufiction and creative writing, language and image, media and design, publishing as an art practice, rhetoric, Video installation, photography
Valerie Walkerdine
Valerie Walkerdine

Valerie Walkerdine (PhD) is an artist and academic. As an academic she has taught, written and researched in the fields of critical psychology, affect studies, psychoanalysis, cultural studies, artistic practice and theory, social theory, class, gender and feminism, community and de-industruialisation and neoliberalism.

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ALL 8 (u-z), TT 4 (o-z), Alumni--ecology and environmental activism, experimental pedagogies, foreignness, otherness, home, nostalgia and the uncanny, language and image, liminal states, interstices, and spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, co-created community based art practice, performance, feminist art practice, installation, film and video, photography, drawing, social practice/community engagement