November 16, 2017: Bits, Sights and Sounds with Transartist Mary Sherman and Florian Grond

Artist Mary Sherman and researcher Florian Grond have worked together over several years manifesting the conversation between painting and sound. The are joined by MIT Media Lab Tangible Bits director, Hiroshi Ishii to explore the relationship and connection of all our senses and which help us navigate and also find pleasure in our material world.

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EPA Summit - September 33 2017 in NYC

Please join us for the first EPA Summit!

When: September 23rd, 9:30am - 5:30pm
Where: EPA Headquarters at 1067 Pacific Street, Brooklyn, NY

The EPA Summit is cross-disciplinary gathering bringing together artists, thinkers, scientists and others in the fields of urban ecology, art, dance, movement and performance to explore the possibility of embodied research, and the value of urban weeds as collaborators, guides and mentors.

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Opening Translation // Le vent nous portera Kommunale Galerie Berlin 7.9.2017

Migration gehört zum Alltag des 21. Jahrhunderts. Das französische Lied Le vent nous portera erzählt vom Weggehen und Ankommen. Es ruft Assoziationen zu existentiellen Themen unserer Zeit wach: Wie ist es, sein bekanntes Umfeld zu verlassen und an einem fremden Ort anzukommen? Die Ausstellung lädt dazu ein, über den Moment des Transits und den Übergang von einer Sprache in die andere nachzudenken.

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Welcome to Chamber – seminar with Mary Jane Jacob and Merete Røstad

Join us as we reflect on the human dimensions of art that connect us with stories forgotten or previously unrevealed. Artist Merete Røstad, whose sound sculpture Chamber is currently on view outside the Munch Museum, and curator Mary Jane Jacob, known for her site-specific, community-embedded projects, will offer examples from their own practices under the themes of MemorializationCollaborationand Creative Chaos. The Q&A will be moderated by Natalie Hope O’Donnell, curator of Munchmuseet on the Move. The seminar will include the launch of the publication Merete Røstad, Chamber.

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