Arturo Delgado Pereira (Chico Pereira)

Arturo Delgado Pereira (PhD), also known as Chico Pereira, is a practicing filmmaker and academic living between Finland and Spain. Pereira’s film work combines experimental ethnographic methods, art as social practice and performative documentary, with a particular interest in rural and post-industrial areas.

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Laura Parke

Laura Parke is a Lecturer in Graphic Design and Illustration at the Liverpool School of Art and Design, Liverpool John Moores University. She studied Graphic Design at the University of the West of England before completing an MA in Graphic Arts.Her practice-based research focuses on Design for Social Engagement and discusses issues of inclusion through collaborations and interactions with a range of practitioners, individuals, collectives and social groups.

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Zoran Poposki

Dr Zoran Poposki, FRSA is a multi-award-winning transdisciplinary artist, filmmaker, and curator based in Hong Kong. Poposki explores cultural translation, liminality, identity, and public space through digital art (including AI and NFT art) combined with painting, drawing, photography, (post-digital) printmaking, performance art, video, film, curating, art education, and publishing.

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Ernesto Pujol

Ernesto Pujol is a queer eco-cultural worker in the post-democratic age of extinction. He socially choreographs durational performances as psychic portraits of peoples and places under threat. Pujol creates aesthetic, meditative, meditative experiences crafted with elements of walking and stillness, silence and minimal gestures. 

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ALL 5 (m-p), TT 4 (o-z)--
Abdullah Qureshi

Abdullah Qureshi is a multidisciplinary artist, curator, and educator. Rooted in traditions of abstraction, he incorporates gestural, poetic, and hybrid methodologies to address autobiography, trauma, and sexuality through painting, filmmaking, and immersive events.

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Susie Quillinan

Susie Quillinan is the Head of Masters Studies at Transart Institute, as well as a learner and curatorial researcher based in Lima, Peru. She develops publications, residencies, encuentros, exhibitions and study programming interdependently with artists, curators, researchers, collectives, places, institutions and other learners. Her current research focuses on practices of collective reading and study, weaving as methodology and a curatorial ethics of accompaniment.

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Holly Rhame

Holly Rhame is an artist based in Hudson, New York. The driving engine behind her practice is the process of recuperation or the inclusion of all that is abjected from consciousness. This process of death and rebirth generates a unique symbolic order that she uses along with the process of image making as a map for the building of her life as well as for my continued investment in the process of individuation.

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Holly Regan

Ferdinand / Holly Regan is a multidisciplinary writer and artist who explores the ways that we connect, transcend, and heal through altered states. As a queer and trans person, they focus on the experience of underrepresented communities through work for the page, stage, table, and screen.

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Aisha Richards

Aisha Richards is an author, a practicing designer for over a decade and an academic activist. As breathe of practice evolves she applies intersectional social justice to everything she does. Founding Shades of Noir, The Centre for Race & Practice Based Social Justice her work has inspired and informed the full spectrum of creatives and educational practitioners across the UK.

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Carolina Rito

Dr. Carolina Rito is Professor of Creative Practice Research, at the Research Centre for Arts, Memory and Communities (CAMC), at Coventry University, UK; and leads the centre’s Critical Practices research strand. Carolina Rito is a researcher and curator whose work explores ‘the curatorial’ as an investigative practice, expanding practice-based research in the fields of curating, visual arts, visual cultures and cultural studies. In her work, Rito has been preoccupied with the notions of knowledge production in the field of the curatorial. This has meant that her interest resides on how practices – such as curating – produce new knowledge, or, in other words, produce a particular way of understanding the world.

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