Born and raised in Italy, Iole Alessandrini is an artist who has been living in Seattle since 1994. She received her diploma in Fine Arts from the First State School of Fine Arts in Rome and earned two master’s degrees in Architecture: one from the University of La Sapienza in Rome and the other from the University of Washington in Seattle. It is the intersection between these two creative expressions – art and architecture – through which her work moves.
Angeliki Avgtiidou studied Architecture at the Aristotle University of Thessaloniki and Fine Art at Central Saint Martins College of Art and Design, University of the Arts (MA, PhD). She has exhibited internationally at venues that include the ICA (London) and the French Museum of Photography.Her research interests include the everyday, autobiographical practices, body and space, gender and identity, performance and politics/activism, performance documentation and the archive.
Of German Jamaican Parentage brought up in England, China and Cyprus Sonia Elizabeth Barrett has an international range of cultural influences. A graduate of St Andrews University where she studied Philosophy, Literature and International Relations and the Transart Institute (MFA) Sonia has shown her work at the NGBK Berlin, the OCCA California, the Format Follow Contemporary in Milan, The Museum of the Sea in Italy and the National Gallery in Jamaica.
Herman Bashiron Mendolicchio holds a European PhD in “Art History, Theory and Criticism” from the University of Barcelona. He is Post-Doctoral Visiting Researcher at United Nations University Institute on Globalization, Culture and Mobility (UNU-GCM); PhD fellow at the research group “Art, Architecture and Digital Society” (UB), PhD associated researcher at the international platform “Global Visual Cultures”, and invited Professor of the Cultural Management Programme of the University of Barcelona.
Isak Berbic (b.1983) is an artist working with photography, moving image and performance. His research deals with social histories, politics, humor, exile, and the limits of representation. His recent artworks investigate the overlaps of documentary and fiction in relation to the visualization of contested politics and contested histories.
Sandeep Bhagwati is a multiple award-winning composer, theatre director and media artist [Studies: Mozarteum Salzburg, Musikhochschule München and IRCAM Paris]. His compositions and comprovisations (including 6 operas) are regularly performed worldwide.
An LA native working in NYC, Sanford Biggers creates artworks that integrate film, video, installation, sculpture, drawing, original music and performance. He intentionally complicates issues such as hip hop, Buddhism, politics, identity and art history in order to offer new perspectives and associations for established symbols. Through a multi-disciplinary formal process and a syncretic creative approach he makes works that are as aesthetically pleasing as they are conceptual.
Lynn Book creates media-diverse works across a range of cultural sites through research and practice that center on questions and issues of embodiment, otherness, social structures and states of public imagination.
Michael Bowdidge (PhD) is an artist who works with found objects, images and sound. He received his undergraduate degree in Fine Art from Middlesex Polytechnic in 1989, and completed his doctoral research at the University of Edinburgh in 2012. Michael works in a variety of educational contexts, which include academic and community settings. All of these activities enrich his teaching practice, and by extension, his creative output – as, for him, these two areas of endeavour are fundamentally intertwined.
Jean Marie Casbarian (MFA) is an interdisciplinary artist who incorporates photography, film and video projections, sound, sculpture and performance into her artworks. Her practice and research explores the relationship between the construction of memory and time, the loss and longing that occurs within personal and political mythologies, and the complex stories that live within one’s family history and displaced cultural identity. Working across photography, video, text, and performance, Casbarian fuses fact with fiction as she continually attempts to flip her own paradigm in the hopes of creating a new personal narrative.
A ramble through the paradoxes of space Sydney born Andrew Cooks (PhD) peripatetic practice addresses the pleasure garden as a model of created/curated space vis-à-vis his imagining. Titled Between Shadow and Memory his work examines the traverse and occupation of real and imagined space and his spatial curiosity, using pattern and scale discrepancy to effect pictorial space in painting, drawing, photographic side- glances, writing, talking and teaching.
Geoff Cox is Associate Professor/Reader in Fine Art at Plymouth University (UK) and Associate Professor/Lektor in the School of Communication and Culture, Aarhus University (DK), currently engaged (with Jacob Lund) on a 3 year research project The Contemporary Condition funded by the Danish Council for Independent Research.
Christopher Danowski (PhD) is a theatre and performance artist. He has written over fifty plays, directed, and performed in living rooms, galleries, and unusual spaces (sometimes in theaters). He was artistic director of Theater in My Basement from 1999-2013, and now serves as a founding member of Howl Theatre Project. He is based in Phoenix and his work has been shown locally, in New York, Minneapolis, Seattle, Yucatán, Mexico City, Dublin, Laval, Vienna, Berlin, and Kraków.
Leah Decter is a Winnipeg based inter-media artist whose work includes video, digital media, installation, textiles, performance, critical collaboration, social practice and writing. Decter’s investigations of contested spaces utilize social-spatial interventions, critical deployment of personal and historical narratives, embodied insertions into land and land/scape, and manipulation of iconic elements of nationalist visual culture. Much of this work considers histories and contemporary conditions of settler colonialism in Canada and transnationally through a critical settler lens, and renders decolonizing counter-narratives to dominant nationalist mythologies.
Jean-Ulrick Désert is a conceptual and visual-artist. He received his degrees at Cooper Union and Columbia University (New York) and has lectured or been a critic at Princeton, Yale, Columbia, Humboldt University and l’école supérieur des beaux arts.
Nicolás Dumit Estevéz treads an elusive path that manifests itself performatively or through experiences where the quotidian and art overlap. He has exhibited and performed extensively in the U.S. as well as internationally
David Dunn is a composer and artist who primarily engages in site-specific interactions or research-oriented activities. Much of his current work is focused upon the development of listening strategies and technologies for environmental sound monitoring in both aesthetic and scientific contexts. Dunn is internationally known for his articulation of frameworks that combine the arts and sciences towards practical environmental activism and problem solving.
Simon Faithfull is a contemporary artist whose work has been exhibited extensively around the world. His practice has been described as an attempt to understand and explore the planet as a sculptural object – to test its limits and report back from its extremities. Within his work Faithfull often builds teams of scientists, technicians and transmission experts to help him bring back a personal vision from the ends of the world.
Professor Anna Gibbs teaches in the School of Humanities and Communication Arts at Western Sydney University. A member of the Writing and Society Research Centre and the Digital Humanities Research Group, she writes across the fields of textual, media and cultural studies focussing on feminism, fictocriticism and affect theory.
Carolyn Guertin is a scholar-practitioner of new media. She is a Senior Researcher in the Augmented Reality Lab at York University in Toronto and is a faculty member in the MFA and PhD programs at Transart Institute in Berlin, Germany.
Victoria Hindley is an artist, writer, and independent curator. She works primarily with photography, language, the book form, and in collaboration with others. Her work challenges the construction of meaning(s) through applying strategies of decoding such as abstraction, humor, and decontextualization as a way of investigating stereotypes, cultural obsession, and institutional constructs.
Derek Holzer (1972) is an American instrument builder and sound artist based in Berlin DE, whose current interests include DIY analog electronics, the relationship between sound + space, media archaeology and the meeting points of electroacoustic, noise, improv and extreme music. He has created scores of unique and experimental instruments, installations, and performances since 2002, as well as taught sound art workshops, across Europe, North and South America, and New Zealand.
Estelle Hoy is a writer and academic based across Berlin and Bruxelles. She completed her Phd in Contemporary Feminist Experimental Literature (New Narrative). She has lectured at The Victorian College of the Arts, The University of Melbourne, Freie Universität Berlin, Goldsmiths, Bard College, Parsons Paris, The New School, Université Paris-Sorbonne and Institut d'Etudes Politiques (Sciences Po) Paris. Estelle has published in literary journals and has been the recipient of numerous awards, artist residencies and fellowships internationally.
Fawz Kabra is a curator and writer. She was Assistant Curator, Solomon R. Guggenheim Foundation, Abu Dhabi Project, New York (2014-2016). She earned her MA in curatorial studies at the Center for Curatorial Studies, Bard College (2013) and her BFA in studio arts at Concordia University in Montreal (2004).
Caroline Koebel is an Austin-based filmmaker and writer, with recent retrospectives at Festival Cine//B (Santiago, Chile) and Directors Lounge (Berlin, Germany). Current research focuses on the relationship individuals have to the greater reality of contemporary global experience and the means by which information is disseminated, gathered and assimilated in the Web 2.0 age.
Steve Lambert explores advertising and the issues of public space and how it is connected to the commercialism and aggression of the military-industrial complex. He works in mediums that have included objects, performance, and video.
Yuen Fong Ling (b.1972 Salford, England) is an independent artist and curator living in Manchester, United Kingdom. Graduated from Glasgow School of Art’s MFA programme in 2007 (including exchange programme with Hunter College New York, Autumn/Winter 2006). Now embarking on his Fine Art PhD by practice at University of Lincoln whilst a Senior Lecturer at Sheffield Hallam University. Ling’s research entitled “A Body of Relations: Reconfiguring the Life Class” examines his art practice through the ‘curatorial’ and ‘educational’ turn of the artist adopting and adapting the traditions, conventions and roles of artist, model and tutor in the contemporary life class.
Alanna Lockward has excelled as a journalist, classical ballet dancer, author and contemporary arts curator specialized in time-based undertakings. Born in Santo Domingo, Dominican Republic, she has a licentiate degree in Communication Science from the Universidad Autónoma Metropolitana-Xochimilco, México, City, and a masters in Art in Context from the University of the Arts Berlin.
Dejan Lukic (PhD) is a scholar and writer, and received his PhD in anthropology from Columbia University. His work revolves around the inescapable convergence of art and politics, while taking seriously stylistic forms of writing around and about this convergence.
Carole Frances Lung is an artist, activist, Scholar. Through her alter ego Frau Fiber, Carole utilizes a hybrid of playful activism, cultural criticism, research and spirited crafting of one of a kind garment production performances She investigates the human cost of mass production and consumption, addressing issues of value and time through the thoroughly hand-made construction and salvaging of garments.