Angeliki Avgitidou (PhD) studied Architecture at the Aristotle University of Thessaloniki and Fine Art at Central Saint Martins College of Art and Design, University of the Arts (MA, PhD). She has exhibited internationally at venues that include the ICA (London) and the French Museum of Photography. Her research interests include the everyday, autobiographical practices, body and space, gender and identity, performance and politics/activism, performance documentation and the archive.
Of German Jamaican Parentage brought up in England, China and Cyprus Sonia Elizabeth Barrett has an international range of cultural influences. A graduate of St Andrews University where she studied Philosophy, Literature and International Relations and the Transart Institute (MFA) Sonia has shown her work at the NGBK Berlin, the OCCA California, the Format Follow Contemporary in Milan, The Museum of the Sea in Italy and the National Gallery in Jamaica.
Within her practice Sarah Bennett (PhD) investigates institutional sites, both historical and contemporary. She employs a range of artistic research methods and material processes including: digital recording and projection, facsimile object making, observational drawing, and embodied actions. Through this work she aims to reveal how diverse institutional systems operate, and to question the level of complicity society affords such systems, i.e. how we are implicated in their continuance.
Sandeep Bhagwati is a multiple award-winning composer, theatre director and media artist [Studies: Mozarteum Salzburg, Musikhochschule München and IRCAM Paris]. His compositions and comprovisations (including 6 operas) are regularly performed worldwide.
Lynn Book creates media-diverse works across a range of cultural sites through research and practice that center on questions and issues of embodiment, otherness, social structures and states of public imagination.
Michael Bowdidge (PhD) is an artist who works with found objects, images and sound. He received his undergraduate degree in Fine Art from Middlesex Polytechnic in 1989, and completed his doctoral research at the University of Edinburgh in 2012. Michael works in a variety of educational contexts, which include academic and community settings. All of these activities enrich his teaching practice, and by extension, his creative output – as, for him, these two areas of endeavour are fundamentally intertwined.
Jean Marie Casbarian (MFA) is an interdisciplinary artist who incorporates photography, film and video projections, sound, sculpture and performance into her artworks. Her practice and research explores the relationship between the construction of memory and time, the loss and longing that occurs within personal and political mythologies, and the complex stories that live within one’s family history and displaced cultural identity. Working across photography, video, text, and performance, Casbarian fuses fact with fiction as she continually attempts to flip her own paradigm in the hopes of creating a new personal narrative.
A ramble through the paradoxes of space Sydney born Andrew Cooks (PhD) peripatetic practice addresses the pleasure garden as a model of created/curated space vis-à-vis his imagining. Titled Between Shadow and Memory his work examines the traverse and occupation of real and imagined space and his spatial curiosity, using pattern and scale discrepancy to effect pictorial space in painting, drawing, photographic side- glances, writing, talking and teaching.
Christopher Danowski (PhD) is a theatre and performance artist. He has written over fifty plays, directed, and performed in living rooms, galleries, and unusual spaces (sometimes in theaters). He was artistic director of Theater in My Basement from 1999-2013, and now serves as a founding member of Howl Theatre Project. He is based in Phoenix and his work has been shown locally, in New York, Minneapolis, Seattle, Yucatán, Mexico City, Dublin, Laval, Vienna, Berlin, and Kraków.
Jean-Ulrick Désert is a conceptual and visual-artist. He received his degrees at Cooper Union and Columbia University (New York) and has lectured or been a critic at Princeton, Yale, Columbia, Humboldt University and l’école supérieur des beaux arts.
Nicolás Dumit Estevéz treads an elusive path that manifests itself performatively or through experiences where the quotidian and art overlap. He has exhibited and performed extensively in the U.S. as well as internationally
Laura Gonzalez (PhD) is an artist and writer. Her recent practice encompasses film, performance, dance, photography and text, and her work has been exhibited and published in the UK, Europe and the US. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society.
Carolyn Guertin is a scholar-practitioner of new media. She is a Senior Researcher in the Augmented Reality Lab at York University in Toronto and is a faculty member in the MFA and PhD programs at Transart Institute in Berlin, Germany.
Khaled Hafez is born in Cairo, Egypt in 1963 where he currently lives and works. He studied medicine and followed the evening classes of the Cairo fine arts in the eighties. After attaining a medical degree in 1987 and M.Sc. as a medical specialist in 1992, he gave up medical practices in the early nineties for a career in the arts.
Victoria Hindley is an artist, writer, and independent curator. She works primarily with photography, language, the book form, and in collaboration with others. Her work challenges the construction of meaning(s) through applying strategies of decoding such as abstraction, humor, and decontextualization as a way of investigating stereotypes, cultural obsession, and institutional constructs.
Caroline Koebel is an Austin-based filmmaker and writer, with recent retrospectives at Festival Cine//B (Santiago, Chile) and Directors Lounge (Berlin, Germany). Current research focuses on the relationship individuals have to the greater reality of contemporary global experience and the means by which information is disseminated, gathered and assimilated in the Web 2.0 age.
Dejan Lukic (PhD) is a scholar and writer, and received his PhD in anthropology from Columbia University. His work revolves around the inescapable convergence of art and politics, while taking seriously stylistic forms of writing around and about this convergence.
Elena Marcevska (PhD)is an interdisciplinary artist and researcher (BA, Theatre directing MFA, Performance The School of The Art Institute of Chicago; PhD, University of Northampton). Through exploring performances which brought together screen, somatic performance practice and auto ethnography, she has increasingly turned her attention to relationships between performance, female body and digital writing. She is currently working on research about radical self-organised performance practices in South East Europe and their urban manifestation.
Herman Bashiron Mendolicchio holds a European PhD in “Art History, Theory and Criticism” from the University of Barcelona. He is Post-Doctoral Visiting Researcher at United Nations University Institute on Globalization, Culture and Mobility (UNU-GCM); PhD fellow at the research group “Art, Architecture and Digital Society” (UB), PhD associated researcher at the international platform “Global Visual Cultures”, and invited Professor of the Cultural Management Programme of the University of Barcelona.
Ruth Novaczek is an artist and curator, she studied fine art film at St. Martins School of Art in London, and an MA in Fine Art, at Central St Martins in 2000. In 2015 she earned a practice-based PhD entitled ’21st Century Avant-Garde; New Vernaculars and Feminine Ecriture’ from the University of Westminster, London (UK) and is currently a Visiting Research Fellow at the University of Westminster.
Wolfgang Sützl (PhD) is a transdisciplinary researcher, writer and educator chiefly concerned with a critique of violence and understanding the conditions in which such a critique is possible. His Ph.D. is in Philosophy from the Universitat Jaume I de Castellón, Spain where he wrote on “Emancipation or Violence. Aesthetic Pacifism in Gianni Vattimo”.
Within Mary Ting’s varied art practice of installation, drawing, photography and video, the prevailing emphasis is the use of the fragment within a nonlinear narrative. Her work inhabits the realm of temporality, private obsessions and the sensual.
Valerie Walkerdine (PhD) is Distinguished Research Professor in Cardiff University, Wales, UK. Her research mixes artistic practices with humanities and social research modalities. Her artistic practice brings together film, photography, drawing and performance. She is an experienced and widely published writer. Her work focuses on many feminist topics, but specialises in the intersection of art and psychology, broadly understood.