Deborah Aschheim makes installations of light and consumer electronics, based on a longstanding interest in networks: neural, electronic and social. Her recent project, Neural Architecture, a series of nervous systems for buildings recently exhibited at Otis College, Laguna Art Museum and the Los Angeles Municipal Art Gallery. York.
Jeremy Beaudry is an interdisciplinary artist and designer and curator who is currently developing a long-term, collaborative project entitled Open Fields which will identify and document rogue vegetation and ecologies in left-over urban spaces in Philadelphia. Beaudry has shown his work in several group exhibitions in locations throughout the United States, and his work will be included in a forthcoming book, One Small Project, an anthology of projects dealing with leftover people, leftover spaces, and leftover materials.
Lynn Book's adventurous performance work has evolved over the past 20 years from a very physical and visually charged form to include a broad range of vocal activities ranging from textual play and DaDa scores to more free-form musical and extended vocal territories. Her vocal work appears on several compilation recordings and she has produced CDs and tapes on her own and other independent labels.
Geoff Cox has a research interest in 'software art'. He co-curated the touring exhibition 'Generator' in collaboration with Spacex Gallery, and 'Vivaria.net' that asks the question 'why look at artificial animals?'. He co-organised (with Joasia Krysa) two conferences: 'globalica: artistic and conceptual tensions in the new world disorder' as part of the WRO biennial, Poland, and 'artist as engineer', as part of an Arts Council of England initiative around socially-engaged arts practice.
Claire Daigle holds a Ph.D. in Art History from The Graduate School and University Center of the City University of New York and is a Whitney Museum of American Art Fellow in Critical Studies, as well as Lecturer at the University of Massachusetts in Amherst, the School of Visual Arts, New York, Hunter College, New York.
Christopher Hewitt has been involved in the international arena of performance art and interdisciplinary artistic practice for over 15 years. A graduate of Time Based studies at the University of Wales Institute of Cardiff, he has since worked as a practicing artist, administrator, curator and teacher in a diverse range of artist run initiatives and institutional arts organisations, including the Arts Council of England and the Institute of Contemporary Arts, London where he held the position of Director of Live Arts.
Photographer and media theorist Klaus Knoll has lectured and taught photography and media studies in Austria and Japan. His photographs are in the collections of the Cologne Museum Ludwig, Bibliotèque Nationale in Paris, and Austrian National Fine Art Photo Collection. His exhibition record includes one man shows at the Tokyo Shinjuku Nikon Salon, Berlin Brennpunkt/DGPh, Alfred Lowenherz Gallery, New York, the Art Complex Musem in Boston.
Heimo Lattner is an installation and performance artist who has presented work at ICA London, Whitney Museum, PS1/MOMA and the Museum of Contemporary Arts, Lyon. His radio works have aired at Ö1 Kunstradio Vienna, Radio Nova Paris, WKCR New York and Tilos Radio Budapest.
Wolfgang Sützl is a transdisciplinary researcher, writer and educator chiefly concerned with a critique of violence and understanding the conditions in which such a critique is possible.
Marjorie Vecchio is a photographic artist working primarily in abstract photogram installation. She also works as a writer and independent curator, exhibiting the works of international artists of all media. Marjorie has a background in Early and Baroque cello and viola da gamba performance and Argentinean Tango dancing. She is currently editing an extended series of found interviews between a mysterious, unnamed filmmaker and her equally elusive interviewer, Sally Sound.
Thomas Zummer lectures on philosophy and the history of technology, and currently is an Assistant Professor in Critical Studies at Tyler School of Art and a regular Visiting Professor in the Transmedia Programme/post-graduate at the Hogeschool Sint Lukas,Brussels. Among his recent publications are “Projection and Dis/embodiment: Genealogies of the Virtual,” in Into the Light: The Projected Image in American Art 1964-1977, Chrissie Iles (Whitney Museum), "What the Hell is That?" Induced Aberration in Cinematic Taxa, a digital book on cinema and the taxonomy of monsters, (Beehive Microtitles #1). He is currently completing a book on the early history of reference systems entitled Intercessionary Technologies: Archive/Database/Interface. He is also a practicing artist, and exhibits his drawings, sculptural and media works.