Bio: Jayce Salloum has been working in installation, photography, video, mixed media, text, and performance, since 1977, as well as curating exhibitions, conducting workshops and coordinating cultural projects. His work takes place in a variety of contexts both locally and globally, critically engaging the representation and actualization of social manifestations and political realities. A media arts philosopher and cultural activist, Salloum has lectured internationally and exhibited throughout the Americas and Europe, and in East Asia and the Middle East, at institutions including The Museum of Modern Art; American Fine Arts; Artists Space; National Gallery of Canada; Canadian Museum of Contemporary Photography; Canadian Museum of Civilization; New Langton Arts; Los Angeles Contemporary Exhibitions; Long Beach Museum of Art; Walker Arts Center; The Wexner Center; YYZ Artists Outlet; A Space; Contemporary Art Gallery, Vancouver; Western Front; Optica Gallery; Oboro; Dazibzo; Mois De La Photo à Montréal; Miyagi Museum of Contemporary Art; Hara Museum of Contemporary Art; Kunstlerhaus Bethanien; Werkleitz Bienniel; Galerie Nationale du Jeu de Paume; Cinematheque Française; Institute du Monde Arabe; Espace Lyonnais d'Art Contemporain; Shedhalle; Rote Fabrik; Rotterdam International Film Festival; Singapore International Film Festival; British Film Institute; Museo Nacional Centro De Arte Reina Sofia; Museo de Arte Contemporáneo, Seville; CaixaForum, Barcelona; and Théatre de Beyrouth. His texts have appeared in many catalogues, and journals such as, Documents, Framework, Fuse, Felix, Public, Pubic Culture, and Semiotext(e). In 2003 he represented Canada at the 8th Havana Biennial. In 2005 his work will be featured in the 7th Sharjah Biennial, and the International Flaherty Film Seminars.